Written and Directed by Spike Jonze
Starring: Joaquin Phoenix, Scarlett Johansson.
Story: Left emotionally vulnerable when his wife leaves him, writer Theodore Twombly (Phoenix) develops an emotional attachment to his operating system, Samantha, voiced by Scarlett Johansson.
Famous for films such as Adaptation and Where The Wild Things Are, “Her” is the first completely original offering from Spike Jonze where he has both written and directed. As such, we have to enter the theater with the distinct impression that this film is going to be one thing: different.
The concept of the film is beautifully original, and hopes to serve as a warning to us all about our reliance on technology. With a very basic plot, Jonze is able to take us through a head spin of action and consequence as Theodore falls more and more in love with his computer operating system. Phoenix is predictably enjoyable, and Johansson does well to demonstrate that acting is not purely physical, but can be done extremely well with just a voice, however, there is a lot missing from this film.
For starters, Jonze manages to make his script so simple (perhaps hoping for quirky and easy to watch) it leaves gaping holes in the realism of the whole film. While he tries to portray the story as something that could be easily achievable in the not too distant future, it is far too easy for a viewer to become too distracted trying to figure out the technology and lose track of the plot. Indeed, watching the film I found myself becoming increasingly bored of the story line because it just didn’t make sense. With often choppy and inexplicable dialogue, the film attempts to be profound but falls short due to it’s lack of energy. From around half an hour in, you may start to think that this is simply Spike Jonze show-ponying his pretentiousness and existentialism.
The film should scoop some sort of recognition for Best Original Song: The Moon Song, by Karen O being one of the more enjoyable parts of the film. Noteable too, is the cinematography. Hoyte Van Hoytema of ‘Tinker Taylor Soldier Spy’ fame does an exceptional job of achieving what the script couldn’t: true beauty. I would perhaps go so far as to say that this film is worth seeing for the visual beauty of it. The shots are intriguing, quirky, and sometimes even breathtaking.
Between the cinematography and the performances by Phoenix and Johansson, the film is enjoyable, but anyone with a keen mind for a story will be left underwhelmed.
*Photo Credit: pghcitypaper.com