eddie redmayne

OSCARS 2015: THE RESULTS…

How about a post from 30,000 feet?

OSCARS 2015: SURPRISES AND RELIEFS!

SURPRISES:

 SURPRISE: Birdman as Best Picture.
OK, yes, we picked it. Birdman had gained incredibly momentum over the last few weeks and seemed the likely winner. Having said this and predicted it ourselves, it was still surprising that Boyhood would not take the Oscar home. Between the high emotional stakes of the film and the time dedicated to it (not just from he Director, but from all involved), we had perhaps hoped that this would be enough to win big. Unfortunately, it just didn’t happen. This leads us to…

SURPRISE: Alejandro Innaritu as Best Director.
Now, this isn’t really a surprise, and the award is not undeserving. His creative lead ensured that Birdman was one of the most original pieces from the last five years. Much like the ‘Best Picture’ award, though, it is disappointing that this wouldn’t go to Richard Linklater. It really seemed like his time after beautiful films like Before Sunset, and a 12 year investment isn’t easy. We were sorry to see him walk away without one of the ‘big two’. 

SURPRISE: Grand Budapest Hotel winning in both Costume Design and Makeup/Hairstyling.
The production design for this movie was brilliant: the entire film was an array of colour and sound (somewhat of an assault on the senses: very ‘Wes’) However, when faced with tough competition from the likes of Guardians Of The Galaxy (Zoe Saldana being painted green anyone?!) it came as quite a surprise that Grand Budapest would reign supreme. 

SURPRISE: ‘Best Picture’ winner falls short in acting categories.
This seems strange. Generally when we have a film win both ‘Best Picture’ and ‘Best Director’, there are additional victories within the acting categories, either for lead or supporting performances. Yes, Birdman backed up their win with many technical accolades, but to not see any performances recognized is interest
ing. Perhaps this simply proves that Birdman was not reliant on it’s actors, and thing could be a good thing?

RELIEFS:

THANK GOD: Eddie Redmayne as Best Actor.
Yes the competition was tight, with an absolutely stellar performance from Michael Keaton hot on his heels, but Redmayne was the standout winner this year. And what a cherry on top that Stephen Hawking reached out to Eddie to congratulate him on doing such a fantastic job. When you make your subject proud, you know you have done a good job!

THANK GOD: Birdman wins Best Cinematography.
This shouldn’t really need explaining. When is the last time we had ‘single take’ cinematography running through an entire film?! This not only made Birdman a joy to watch, but really got in behind the theatrical undertones of the film and drove them home.

THANK GOD: JK Simmons for Whiplash.
Definitely our tempo.

THANK GOD: Patricia Arquette wins for Boyhood.
As with our surprises above, we are super relieved that there was recognition for Boyhood, and Arquette was an incredibly worthy recipient. Arquette also made the second actress over 40 who took home an Oscar last night, truly silencing those who say there are no roles for older women in Hollywood.

What were your surprises and reliefs? Is there anyone you wish hadn’t won? Or had?! Let us know!

OSCAR PREDICTIONS: BEST ACTOR & BEST ACTRESS

Best Actor:
72nd Annual Golden Globe Awards - Press Room

Nominees:

Steve Carrell (Foxcatcher)

Bradley Cooper (American Sniper

Benedict Cumberbatch (The Imitation Game)

Eddie Redmayne (Theory Of Everything)

Michael Keaton (Birdman)

The Performances: Strangely enough this year we had a few of these performances surrounded in controversy. Steve Carrell’s role in Foxcatcher was protested by Mark Schultz, the film’s subject, for being too homosexually oriented. Bradley Cooper’s portrayal of Chris Kyle was also objected by those claiming that the character was not true to life, and the film glorified war. Another really interesting thing is that 4/5 nominees are playing “based on true life” characters and we know that these are always shoe in for any major awards. We also deal with a few major topics: Mental illness in show business and sports (Carrell and Keaton;, Homosexuality (Cumberbatch); War (Cooper); and terminal illness (Redmayne). All of this makes it really hard to call. Both Michael Keaton and Eddie Redmayne have been snatching up awards left and right, but despite strong performances many of the others are yet to get lucky.  Eddie-Redmayne

Who Should Win? Eddie Redmayne: the intensity and emotion in his performance is closely rivalled but ultimately unmatched this year.

Who Will Win: Eddie Redmayne is going to take this one home, too. Not only was his performance absolutely stellar, but between physical training and time spent with Hawkins himself, he has really put in the legwork. Additionally, the Academy loves a good biopic, especially if the subject is still living and is happy about the end result.

Best Actress:

moo-jan12The Nominess:

Felicity Jones (Theory Of Everything)

Julianne Moore (Still Alice)

Rosamund Pike (Gone Girl)

Reese Witherspoon (Wild)

Marion Cotillard (Two Days, One Night)

The Performances: This really is a mixed bag this year. All performances were well reviewed, but we are dealing with players in psychological thrillers, romantic dramas, and biopics. Felicity Jones gives a strong performance, but is overshadowed by her male counterpart in Theory Of Everything and doesn’t really give us enough ‘Oscar Moments’. The same can be said for Rosamund Pike. Marion Cotillard is a bit of a wildcard here since ‘Two Days, One Night’ didn’t even really get a wide release: many were surprised by her nomination but we have to understand that we are dealing with the Academy here and they have their favourites. Which leaves us with two…
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Who Should Win? This one is hard to call, but we are inclined to say Witherspoon. Her performance was one of the most mature she has ever delivered and almost felt documentary-style. Flashbacks littered throughout meant she had to play two entirely different characters and mould them together: when not made in chronological order this makes her performance all the more impressive.

Who Will Win? Julianne Moore. Much like Redmayne she delivers a performance of intensity and emotion dealing with a very real disease. The attention on Alzheimers and spread of the disease means she has touched many people worldwide. Moore will triumph over Witherspoon on the ‘relatability’ card. 

SNUBS: Jake Gyllenhaal (Nightcrawler) , Jennifer Aniston (Cake)

FILM REVIEW: ‘THE THEORY OF EVERYTHING’

‘The Theory Of Everything’

Written by: Antony McCarten (screenplay), Jane Hawking (book)

Directed by: James Marsh

Starring: Eddie Redmayne, Felicity Jones

Story: The story of famous physicist Stephen Hawking as he struggles with work, marriage, and his deteriorating health.


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Every awards season, we come across films that are wonderfully put together, flawlessly executed, and not very fun to watch. It is not an issue with the film because you know that the film is good: the reality is, the subject matter is not really that you would expect for ‘entertainment’. The Theory of Everything is a shining example of this style of film. The story itself is interesting, however watching the decline of a spritely and charming man into a one who cannot take care of himself or function as normal is incredibly difficult to see. When reviewing the film, we do have to take this into account as it can, for many, retract from the entertainment value that they take from watching it. If you are one who watches a film and expects to enjoy the process of watching it, then perhaps this is not the film for you.

Having said this, The Theory Of Everything is absolutely stellar. 

The film is paced well, with a running time of two hours that feels like just about two hours. We must consider here, that we have Hawking’s entire life so far to cover. The only perhaps disappointing facet of the content of the film is the lack of science. Do not be fooled: this is a romance movie. This in itself is a little upsetting since Hawking’s life is one of scientific triumph (not just his works, but his survival). Theory Of Everything tends to brush over with very simplistic explanations of his theories and almost completely ignores this most notable aspect of his ife. Hopefully one day we will get a film that looks more closely at his work than his romantic life. For now we have to make do.

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Eddie Redmayne is spectacular and heartbreaking in his portrayal of Hawking. Not only does he look like Hawking, but he embodies the kind of charming curiosity that we would expect from him in person. His performance is certainly Oscar worthy, and he will most likely take the trophy home this year. It would not be leaving in the wrong hands.

Redmayne is supported wonderfully by Felicity Jones as Hawking’s wife Jane. The two have an undeniable on screen chemistry which will appeal to really any audience. The beautiful thing about their relationship and story here is the simplicity of it. They live rather the normal life, despite everything.

The cinematography and score are both wonderfully done, creating environments that we can melt into: from 1960s Cambridge to 2014 London. Scenes of the young Hawking are captivating and visually arresting, and can tend to start to feel like travelling back in time. 

With everything combined we have a film that perhaps falls short of it’s true direction and proves to be less enjoyable than it’s potential, but is still beautifully moving and inherently good.

Rating: 7.5/10