‘The Theory Of Everything’
Written by: Antony McCarten (screenplay), Jane Hawking (book)
Directed by: James Marsh
Starring: Eddie Redmayne, Felicity Jones
Story: The story of famous physicist Stephen Hawking as he struggles with work, marriage, and his deteriorating health.
Every awards season, we come across films that are wonderfully put together, flawlessly executed, and not very fun to watch. It is not an issue with the film because you know that the film is good: the reality is, the subject matter is not really that you would expect for ‘entertainment’. The Theory of Everything is a shining example of this style of film. The story itself is interesting, however watching the decline of a spritely and charming man into a one who cannot take care of himself or function as normal is incredibly difficult to see. When reviewing the film, we do have to take this into account as it can, for many, retract from the entertainment value that they take from watching it. If you are one who watches a film and expects to enjoy the process of watching it, then perhaps this is not the film for you.
Having said this, The Theory Of Everything is absolutely stellar.
The film is paced well, with a running time of two hours that feels like just about two hours. We must consider here, that we have Hawking’s entire life so far to cover. The only perhaps disappointing facet of the content of the film is the lack of science. Do not be fooled: this is a romance movie. This in itself is a little upsetting since Hawking’s life is one of scientific triumph (not just his works, but his survival). Theory Of Everything tends to brush over with very simplistic explanations of his theories and almost completely ignores this most notable aspect of his ife. Hopefully one day we will get a film that looks more closely at his work than his romantic life. For now we have to make do.
Eddie Redmayne is spectacular and heartbreaking in his portrayal of Hawking. Not only does he look like Hawking, but he embodies the kind of charming curiosity that we would expect from him in person. His performance is certainly Oscar worthy, and he will most likely take the trophy home this year. It would not be leaving in the wrong hands.
Redmayne is supported wonderfully by Felicity Jones as Hawking’s wife Jane. The two have an undeniable on screen chemistry which will appeal to really any audience. The beautiful thing about their relationship and story here is the simplicity of it. They live rather the normal life, despite everything.
The cinematography and score are both wonderfully done, creating environments that we can melt into: from 1960s Cambridge to 2014 London. Scenes of the young Hawking are captivating and visually arresting, and can tend to start to feel like travelling back in time.
With everything combined we have a film that perhaps falls short of it’s true direction and proves to be less enjoyable than it’s potential, but is still beautifully moving and inherently good.