nightcrawler

OSCAR PREDICTIONS: BEST DIRECTOR & BEST PICTURE

Best Director:

download (2)Nominees:

Alejandro G. Iñárritu (Birdman)

Richard Linklater (Boyhood)

Wes Anderson (The Grand Budapest Hotel)

Morten Tyldum (The Imitation Game)

Bennett Miller (Foxcatcher)


The Films:
The difficult thing about the Academy is that they do not split genres into Comedy/Musical and Drama. This means that we have to take and analyze many films from different genres and different styles of  directorial effort.It is difficult to put a film like The Grand Budapest Hotel right next to Boyhood or Foxcatcher, and ask which Director did their job to better effect. The reality is, though, that Richard Linklater embarked on a 12 year journey to create one of the most authentic films we have seen, and that gives him a standout advantage. Having said this, Birdman has been gradually gaining steam, with nothing but praise being heaped upon Alejandro G Iñárritu. It seems that the other three nominees will unfortunately be left behind which seems a shame. Foxcatcher was a labor of love for Bennett Miller, and one he has been trying to pull together for almost as long as Linklater’s ‘Boyhood’. Wes Anderson finally gained critical reception with Grand Budapest, although this caused him to lose many of his loyal followers. 

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Who Should Win?
Richard Linklater. It’s close to call between him and Iñárritu, but Linklater’s long term dedication should see him snatch it. Perhaps them most impressive part of Birdman is the cinematography which should still be recognized. 


Who Will Win:
 
Richard Linklater. And it is about time, too!

 

SNUBS: Christopher Nolan (Interstellar), Ava DuVernay (Selma), Jean-Marc Vallee (Wild)

Best Picture:

The Nominees:

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Birdman

The Grand Budapest Hotel

American Sniper

Whiplash

The Imitation Game

Selma

The Theory of Everything

The Films: Possibly the most underwhelming batch of ‘Best Picture’ nominees we have seen in a while. The Academy really didn’t feel like taking any risks this year. All of the films have been received well both by the public and critics, and have received awards consistently throughout 2014-2015. Having said this, it really is a two movie race this year. Despite previous wins, Grand Budapest Hotel likely won’t win any of the big five awards this year, nor will Selma or The Imitation Game. Theory of Everything will succeed in the Acting category but nothing else. Whiplash is probably one of the most deserving films, but is also historically one of the lowest grossing to ever be nominated for Best Picture, which slims down it’s chances of success. Really, the only films that are going to be successful enough in majority of categories to justify a ‘Best Picture’ win are Birdman and Boyhood. And between these two it is a super tight race.

Who Should Win? The ‘Best Picture’ winner is not always the film that is universallyAMERICAN-SNIPER-4-1940x812 enjoyed. Think back to last year’s winner ’12 Years A Slave’ – how many of you actually enjoyed the experience of watching it?! Many have felt the same about Birdman, which put it as a bit of a frontrunner, particularly because of it’s spread of nominations in other categories. Having said this, Boyhood still carries a lot of weight and is a true feat of cinema. We’re going with Boyhood on this one as the more deserving recipient.

Who Will Win: Birdman. Yep, we’re calling this one. Birdman has been gaining so much momentum lately it seems unstoppable. We wouldn’t be surprised if Boyhood can hold on, but at the moment it seems it is being edged out. 


SNUBS: Interstellar, Wild, Nightcrawler, Foxcatcher.

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OSCARS 2015: THE NOMINEES…

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And the nominees are…

Best Picture:

American Sniper

Birdman

Boyhood

The Grand Budapest Hotel

The Imitation Game

Selma

Whiplash

The Theory of Everything

Best Director:

Birdman or (The Unexpected Virtue of Ignorance) – Alejandro G. Iñárritu

Boyhood – Richard Linklater

The Grand Budapest Hotel – Wes Anderson

The Imitation Game – Morten Tyldum

Foxcatcher – Bennett Miller

Best Actor In A Leading Role:

Steve Carell

Bradley Cooper

Benedict Cumberbatch

Michael Keaton

Eddie Redmayne

Best Actor In A Supporting Role:

Robert Duvall

Ethan Hawke

Edward Norton

Mark Ruffalo

JK Simmons

Best Actress In A Lead Role:

Felicity Jones

Julianne Moore

Rosamund Pike

Reese Witherspoon

Marion Cotillard

Best Actress In A Supporting Role:

Patricia Arquette

Keira Knightley

Emma Stone

Meryl Streep

Laura Dern

Best Animated Feature:

– Big Hero 6

– The Box Trolls

– How To Train Your Dragon 2

– Songs Of The Sea

– Tales Of Princess Kaguya

Best Animated Short Film:

The Bigger Picture

The Dam Keeper

Feast

Me and My Moulton

A Single Life

Best Cinematography:

Birdman

The Grand Budapest Hotel

Ida

Mr Turner

Unbroken

Best Costume Design:

The Grand Budapest Hotel

Inherent Vice

Into the Woods

Maleficent

Mr. Turner

Best Documentary Feature:

Citizen Four

Finding Vivian Maier

Last Days In Vietnam

Salt Of The Earth

Virgunga

Best Documentary Short Subject:

Crisis Hotline 1: Veterans Press

Joanna

Our Curse

The Reaper

White Earth

Best Film Editing:

American Sniper

Boyhood

The Grand Budapest Hotel

The Imitation Game

Whiplash

Best Foreign Language Film:

Ida – Poland

Leviathan – Russia

Tangerines – Estonia

Timbuktu – Mauritania

Wild Tales – Argentina

Best Makeup and Hairstyling:

Foxcatcher

The Grand Budapest Hotel

Guardians of the Galaxy

Best Original Score:

The Grand Budapest Hotel

The Imitation Game

Interstellar

Mr. Turner

The Theory of Everything

Best Original Song:

Everything Is Awesome – The Lego Movie

Glory – Selma

Grateful – Beyond The Lights

I’m Not Gonna Miss You – Glenn Campbell, I’ll Be Me

Lost Stars – Begin Again

Best Production Design:

The Grand Budapest Hotel

The Imitation Game

Interstellar

Into the Woods

Mr. Turner

Best Sound Editing:

American Sniper

Birdman

The Hobbit: Battle Of Five Armies

Interstellar

Unbroken

Best Sound Mixing:

American Sniper

Birdman or (The Unexpected Virtue of Ignorance)

Interstellar

Unbroken

Whiplash

Best Visual Effects:

Interstellar

Captain America Winter Soldier

X Men Days Of Future Past

Interstellar

Guardians Of The Galaxy

Best Adapted Screenplay:

Inherent Vice

Imitation Game

Whiplash

Theory Of Everything

American Sniper

Best Original Screenplay:

Birdman

Boyhood

Foxcatcher

The Grand Budapest Hotel

NIghrcrawler

NOTEABLE SNUBS: Unbroken (Best Director), Interstellar (Best Director), Gone Girl (Best Adapted Screenplay), Nightcrawler (Best Actor), Cake (Best Actress)

FILM REVIEW: ‘NIGHTCRAWLER’

‘Nightcrawler’

Directed by: Dan Gilroy

Written by: Dan Gilroy

Starring: Jake Gyllenhaal, Rene Russo

Story: Desperate for work Lou Bloom forces his way into the world of filming crime scenes and will do anything to get to the top of his game.

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Nightcrawler is a film which will stay with you for a while. It is one of those movies which will come to mind at random moments as you drive home from work or clean out your refrigerator. It will keep coming to mind when people ask you what movies you have seen lately or if you can recommend anything that they might enjoy. It will come to mind because of how truly disturbing it really is. The title itself elicits some sort of impression that the film will get under your skin; its utter awesomeness seeping through your pores.

Let’s get this straight right off the bat. Jake Gyllenhaal is an exceptionally talented actor. We remember films like Donnie Darko, Zodiac and Jarhead, and now understand they they have paved the way to this. Of course he has had some slips (The Day After Tomorrow comes to mind), but Nightcrawler will definitely be a performance that Gyllenhaal will find tough to follow. Watching his portrayal of socially disturbed Lou Bloom is uncomfortable: the slightest quiver of an eyelash is 100 percent in character. When you watch this you will understand unequivocally that this is the performance that people will peg Gyllenhaal’s future performances against for quite some time. He is again on point in each and every scene.

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Riz Ahmed (Four Lions) compliments Gyllenhaal perfectly and brings a delicate innocence to the role of Rick. He truly does represent the human equation of their partnership and Ahmed should be proud of his efforts.

Accolades have poured in for this film, so before you dismiss it as a popcorn drama think again. Thankfully, Dan Gilroy has not gone unnoticed by critics and film associations: his screenplay unveils a disturbing truth about modern society. Indeed, Lou Bloom himself notes that he is from the ‘self-esteem movement so popular in schools’: he will do whatever it takes to succeed, because he has been told that this is what he has to do to ensure he can get a job and progress. Bloom doesn’t want to work in any particular industry, he just wants a career, and something he is good at. It is what he has been taught to do.

Nightcrawler is scary. It isn’t throw you out of your seat scary, and it isn’t scary like ’12 Years A Slave’ was scary, but it is uncomfortably scary in the sense that Lou Bloom is not a highly fictionalised character. In the world of dog-eat-dog corporate America: he is a human representation of the greed creed that generates so much lust.

The film is a black cat: it mesmerises you and draws you in through the back alleys of Los Angeles and keeps you poised so delicately until the very last second.

Rating: 9/10